I work with my boyfriend James Kilhams to make documentary-led photography and video for weddings, families, and artists who want something more lasting than polished content.

What connects all our work is a simple belief: the strongest images and videos are the ones that remain faithful to the life they came from.

We came to this work through documentary traditions — through photographers and filmmakers who understood that a camera's job is not to manufacture the world but to bear witness to it. Gordon Parks did not arrange the scenes he photographed. Dorothea Lange did not ask Migrant Mother to compose herself into a more photogenic grief. Robert Frank's America was crooked and blurry and true in a way that polished images of the same country were not.

That all sounds like serious references for a couple who photograph weddings, families, and artists. But we believe they are exactly the right ones.

A wedding is not an event to be decorated, faked, or constructed. It is a day in a life — emotional, unrepeatable, and full of meaning that exists whether or not a camera is present. The photographs and videos you will want in twenty years are not the ones where everyone was standing correctly, or the ones that committed to a trend. They are the ones that remind you of how it actually felt to be inside that day. That is what we are trying to make.

We work with families in the same spirit — recording the ordinary rituals of a particular time before they quietly change. And with artists and makers: the actual studio, the actual process, the honest relationship between a person and the work they have given themselves to.

We do not use studios. We do not overcoordinate outfits. We do not ask people to hold expressions they do not feel. We do not edit by algorithm.

We show up. We pay attention. We stay out of the way.

We witness!